An Irishman, an Iranian, and an American walk into a bar…
Droid Behavior mainstay Luis Flores discusses his history with the Mexican rave scene, live sets, and his current studio projects.
Episode 014 – Anthony Parasole (Part Two)
- March 29, 2016
- Tagged as: Anthony Parasole, Berghain, Berlin, Brooklyn, Danny Krivit, Danny Tenaglia, Deconstruct, DJ Qu, Fred P, House, Joe Claussel, Joey Anderson, Junior Vasquez, Jus Ed, Kerri Chandler, Levon Vincent, Manhattan, New York, New York City, Ostgut Ton, Output, Panorama Bar, Techno, The Corner, Tribal House, Tribal Techno
The two discuss their DJ techniques, tribal techno, great DJs/live acts, and why it all still keeps them raving decades later.
“WORK THEM Records” boss Spencer Parker stops by to discuss the rapid rise of his label, what makes for a great party, and what he does when he winds down at home.
This is the second part of the interview with Tim Xavier and John Osborn! Eurorack gets put on blast, John talks about the Substance parties, and MP3 snobbery gets debunked.
TW is back from a week break! John and Tim stopped by Zahn’s for a fancy gentleman’s chat. The three debate a variety of subjects this week, tune in!
Since his debut release on Drumcode eight years ago, Kyle Geiger has maintained a very modest, humble and genuine approach to the music industry which has gained him a ton of supporters on and off the dance floor. This isn’t his story, but here we get to know him more personally.
Episode 005 – Adam X
- January 25, 2016
- Tagged as: Acid, Adam X, ADMX-71, ASC, Brooklyn, CLR, Crossing the Parallell, Drop Bass Network, EBM, Experimental, Heather Hart, House, IDM, Industrial, L.I.E.S., Manhattan, Mass-X-Odus, Max Durante, New York City, Rhythmic Noise, Skinny Puppy, Sonic Groove, Techno, Traversable Wormhole, X-Crashed
The legendary Adam X stops by to chat about industrial music, techno, graffiti and running a record shop in post-9/11 New York. Grab a pencil, it’s time to take some notes.
Duct-taping people to trees, taking lots of acid, and Richie Hawtin playing Black Sabbath records. This is Kurt Ecks’ story about the rise of the Drop Bass Network in the 90s.